Clawrez is one of the aliases I use online, along with kevlar and ZiKK. Clawrez is my primary identity online and in my music, and is also the name of my main fursona. Her design has gone through a few iterations, and the only art I have of her current design is renders I have made of her VRChat avatar form.

The name "Clawrez" was created at a friend's birthday party. We were playing Jackbox, and each round, I was coming up with random names that sound like utter jibberish. One of these was "Klorez". Later on, out of pure impulse, I decided to create a fake persona online that used the username Klorez. The lore of this character led to them becoming a furry, and changing their username to Clawrez. I grew jealous of this character, stole the username, and killed them.

I began producing music in 2016, where I would create tracks using Apple Loops on the mobile version of Garageband. These tracks were unoriginal and consisted entirely of samples and loops that I did not create myself.

I only started to compose my own music in 2019, which was around the same time I discovered hard dance genres.

I took a keen interest in speedcore, which is what I began originally producing. Over the years, my taste in music has evolved (albeit within hard dance subgenres). After speedcore, my favourite genre was terrorcore. After terrorcore, it was industrial hardcore. As of writing this, it is xtra raw (extra raw hardstyle), along with industrial hardcore.

I used to run a net label called LUX MARBLE, which I founded in 2021 with my friend Celerium. I wanted it to be a platform for smaller DTM producers to put their music out, whilst allowing the entire discography to be as accessible as possible. This meant distrubuting it to as many platforms as possible, as well as providing free download links on the website.

In July of 2024, I made the decision to retire the label, as the style of music I originally made it for did not align with what I wanted to create at the current time. In reality, however, I think this is a lie I told myself and everyone. I don't really know why I retired the label, it was quite an impulsive decision.

Check out my music here (click)

In 2022, I began attempting to develop my first game with JavaScript. This would be a poor excuse of an incremental game called "Chōshi Incremental" (I'm pretty sure it was the first one, anyway).

This game consisted of a button to gain points, a button to die (which was the first reset layer), and a button to "Chōshi", which the functionality of was not implemented.

Ever since then, I have been battling with my horrendous executive dysfunction to further my development skills, producing a myriad of unfinished games. Some notable ones include: "VNGI" - a game about increasing the version number, "rarity toy" - a game about rolling to get more rarities, and "Karyofox" - which is still being worked on, as of writing this.

Stay tuned for Clawrez games here (click)

I've always been somewhat obsessed with iconography and graphic design. Back when I was 9 or 10, I had an iPad Mini 4 that I installed several image manipulation applications on. One of these was called "Adobe Photoshop Fix". This app had a content-aware feature reminiscent of the one on the desktop Photoshop app. I would take screenshots of different pages of my home screen, and would alter the icons in some way. I would then come back to these images months later, and try to guess what I altered about each app icon.

When I ran a YouTube channel (from 2015 to 2020), I used MS Paint, then Canva, and eventually Photoshop to create thumbnails for my videos. I think this is where I really introduced myself to graphic design.

After my YouTube era, I began creating renders of Fortnite characters in SFM, then Blender. I hope you don't find any of the renders made before 2023, as they are embarrassing.

Currently, I create graphic design works every once in a while, usually of a square aspect ratio. I've been especially fond of the "brutalism" style for quite a while. I have attempted to incorporate this into my brand, although I seem to have quite an issue with consistency throughout my social channels.

Some of my work is shown here (click)

Due to issues with distributors being lame and stupid, only some releases are on Spotify. Almost my entire discography is on SoundCloud. Full discography page coming soon. :3

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